"LADIES AND GENTLEMEN I GIVE YOU......."

....THE JUSFORDAFUCOFITIST'S

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Read the Manifesto.

THE JOY AND TRAGEDY OF HUMAN EXPRESSION.

The Joy And Tragedy of Human Expression.
A film nature would not allow to fully exist.

Please follow link to the CORPOREAL BOND BLOG (Erect Constructs link - to the left) there you will find further words and images regarding this atrocity.

What follows are words from the creator in no particular order they delve into the reasons and foundations of such a debasement of human expression.

Temporal

The length of the film is unknown to a certain degree it is expected to run for as long as the piece is displayed, the repetition of the film follows a progressive revealing of different footage each relating to past images, sound and text but also referring to possible future occurrences. The slow revealing of content in the film is a reference to the slow incremental forward motion of life, the universe.

If you do not pay attention, nothing will be missed. This is the disgraceful state we have allowed ourselves to descend into. the bowels of convention, head first into the jaws of the standard. the innards of the ‘significant’ collected together in a black box, holding the pure aesthetic and investing everything into the dimming of the organic memory.

content images

The chosen images all have a duality, for every formalised constructed recognisable image the audience encounter there is an opposite formless, unrecognisable image. The collection of images ranged from my own footage to that taken from television, cinema and the public domain.

Each of the chapters is made up of four screens, each designated with its own imagery, sounds and text they are to be played in some cases as one cohesive unit, playing each of the four screens as one but in most cases as a decontextualised image being played along side something designed as an random/opposite.

The determined use of science and pornography is the extreme of human expression, the former, one of noble causes that regrettably forces the sterility of knowledge and renders beings as simple aberrations of something bigger to the latter’s glorious debasement of ecstasy and joy left to be acted out between consenting adults all shaped by the pay check they will receive at the end of the day.

The title of the work The Joy and Tragedy of Human Expression is a contextualising element and therefore serves a pivotal role in the receipt of this work. Without the title the film delves into a more abstracted random world where the images, sound and text bring about an infinite amount of contexts with themselves but this too is a very important aspect of the film. The film is designed not to be watched in the conventional ways in which we the audience expect, there is a beginning but this is a representation of a beginning, the film is made to be watched from any point once the film has begun in the confines of the gallery space the assumption the audience will come and go as they see fit, in terms of cinema and television the audience are aware of the linear narratives utilised within the program and therefore will stay until they are satisfied the program has reached a conclusion.

beginning – middle – end

the choice to utilise knowledge relating to the nature of the gallery and auditorium has shaped the character of the film. the length and content have been specifically chosen to both inflame and numb the senses.

to never forgive or forget.

1.Breach for breach, eye for eye, tooth for tooth: as he hath caused a blemish in a man, so shall it be done to him again. - Leviticus 24:20, King James Bible

2.Vengeance is mine, I will repay, saith the Lord. - Romans 12:19

do not expect a god.

Don't give over all of your critical faculties to people in power, no matter how admirable those people may appear to be. Beneath the facade you will find a human who will make human mistakes.

sensory blockage

the abyss awaits, gaping.

lead a grey existance. lack both joy and sorrow.
sincerity must be my main influence.

who desires anarchy?

anarchy frees the people of personal resposibility.

ask yourself, whom among the heaving masses desires anarchy, chaos and the random?.

lead us.

1.we fall upon decisions these days. we wait and wait which is another form of giving up. we allow the decisions of others to move us.

2.measuring locks us into the place we are measuring.

3.

whatever is easy and available

....an impotent thrust into the dark place hidden, past the forest of the despondent. not all will be able or willing to take the journey, others will clutch at their systems denounce this newness and demonise the words. there will be those whose absolutes have ingrained themselves upon the instinctual desires so profoundly they will be unaware of our actions, it will pass them by with out any sense of recognition on their part.

Constructions (of space and time.)

Contaminated cylindrical terminals converging inward,
speeding away from the body.
Images of the past focus at the apex,
indistinct edges reveal uncontrolled erratic recognisable shapes.
The stentorian bellow of silence threatens to engulf.
Instinct is transposed unto the desires of functionality.
The hastening of regularity diffuses the light,
the edges define, structure over turns chaos.
Governance follows. sterile forms envelop.

(home)

I know this scene, it is my own form amplified and reversed, veins and wires, stone and flesh, tarnished, aged. Our social instincts are used to compel the evolution of our being. The city is not a place it is a force, a force which uses as much as it abuses. Resembling the identities of us humans, fluctuating from static to fluid. From the confines of the concrete jungle debasement sounds good. For a while at least.

Moksha

let the ocean dissolve away this path
through entropy
the answers will come at last.

The savage yearning for happiness.

...if you do not pay attention, nothing will be missed, this is the disgraceful state we have allowed ourselves to descend into. The bowels of convention, head first into the jaws of the standard. The innards of the significant collected together in a black box, holding the pure aesthetic, investing everything into the dimming of the organic memory. The sentient form no longer required to remember from their individual thoughts or physical experiences, the televisual radio obscures the need, casting the shadow of oblivion over the entirety of western civility. The Lunatic’s run amuck across the airwaves washing away the psychodynamics of a million years of evolution and in one long visceral ejaculation expelling the nutrients of vitality over the redundant soils of the mental plains....

The long past with a short history.

MOTION(BLUR)
A DIVIDING LINE
MOTION(SPEED)
BLACK(SILENT)
WHITE(ASCENDING)

To those who sent me to the Gulag.

To those who dare point the accusing finger wildly. To those who dare to demonise their fellow human. To those who would be bureaucrats, heed this warning - you are known, your lack of subtly reveals you. You are transparent you dare point your finger but it is you who are the sinner, to look for blame and scapegoats is the act of a bureaucrat, you are lost and cause the death of nobility. To place blame before a case is heard is weak. To blame one of a crime as you yourself commit the crime is the admission of a malefactor.

Incantations to awaken the deepest sleepers from the darkest places before the Sun 001

1.Animals are generally considered to have evolved from flagellate protozoa.
(So therefore I must crawl down beside you.)

2.A monkey will present its back to another monkey, who will pick out parasites; after a time the roles will be reversed.
(in the beginning art was a pure form, used to expand the communicative boundaries in a social order, memory was extended. Through image humanity found a way to express itself without the obvious limitations of the physical body bound by form, definition and measurements. The image allowed the mind to develop, the imagination could now be built upon, no longer would the noble savage sit, think and sweat.)

3.Sterile workers devote their whole lives to caring for the queen, constructing and protecting the nest, foraging for food, and tending the larvae.
(....events were able to be recorded beyond the seconds, minutes, days and years, even now forty thousand years on, these images still sit there at the crucible of human expression, as Picasso so concisely noted “we have learned nothing”.)

They Have Tried To Send Me To The Gulag.

Article 11.
Everyone charged with a penal offence has the right to be presumed innocent until proved guilty according to law in a public trial at which he has had all the guarantees necessary for his defence.
Article 19.
Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers.
Article 26.
(2) Education shall be directed to the full development of the human personality and to the strengthening of respect for human rights and fundamental freedoms. It shall promote understanding, tolerance and friendship among all nations, racial or religious groups, and shall further the activities of the United Nations for the maintenance of peace.
Article 27.

Moksha

'STROKINGS' WHAT ITS ALL ABOUT.

The Horses' Penis.