The corporeal bond relentlessly affords us the ability to transmogrify our own sterile, static encumbered states for a transcendental voyage of polarised fantasticalities. An unflinching gaze focused squarely on unrecognisable flesh organs reinventing vitality through mutilation. Forging forward with the squirming parasite that is the penis and the visceral nightmare surrounding the forbidden vagina. irreversible disease and decay alleviate the desires
Wednesday, October 25, 2006
Monday, August 14, 2006
Sunday, July 09, 2006
Tuesday, May 09, 2006
THE JOY AND TRAGEDY OF HUMAN EXPRESSION.
The Joy And Tragedy of Human Expression.
A film nature would not allow to fully exist.
Please follow link to the CORPOREAL BOND BLOG (Erect Constructs link - to the left) there you will find further words and images regarding this atrocity.
What follows are words from the creator in no particular order they delve into the reasons and foundations of such a debasement of human expression.
Temporal
The length of the film is unknown to a certain degree it is expected to run for as long as the piece is displayed, the repetition of the film follows a progressive revealing of different footage each relating to past images, sound and text but also referring to possible future occurrences. The slow revealing of content in the film is a reference to the slow incremental forward motion of life, the universe.
If you do not pay attention, nothing will be missed. This is the disgraceful state we have allowed ourselves to descend into. the bowels of convention, head first into the jaws of the standard. the innards of the ‘significant’ collected together in a black box, holding the pure aesthetic and investing everything into the dimming of the organic memory.
content images
The chosen images all have a duality, for every formalised constructed recognisable image the audience encounter there is an opposite formless, unrecognisable image. The collection of images ranged from my own footage to that taken from television, cinema and the public domain.
The title of the work The Joy and Tragedy of Human Expression is a contextualising element and therefore serves a pivotal role in the receipt of this work. Without the title the film delves into a more abstracted random world where the images, sound and text bring about an infinite amount of contexts with themselves but this too is a very important aspect of the film. The film is designed not to be watched in the conventional ways in which we the audience expect, there is a beginning but this is a representation of a beginning, the film is made to be watched from any point once the film has begun in the confines of the gallery space the assumption the audience will come and go as they see fit, in terms of cinema and television the audience are aware of the linear narratives utilised within the program and therefore will stay until they are satisfied the program has reached a conclusion.
Thursday, February 09, 2006
to never forgive or forget.
2.Vengeance is mine, I will repay, saith the Lord. - Romans 12:19
do not expect a god.
sensory blockage
lead a grey existance. lack both joy and sorrow.
sincerity must be my main influence.
who desires anarchy?
ask yourself, whom among the heaving masses desires anarchy, chaos and the random?.
Wednesday, February 08, 2006
lead us.
2.measuring locks us into the place we are measuring.
3.